MADAME EDWARDA forms.
V. ZIN / G. REI / B. F'que Dann / D. POCK / K. ZAR
First live held.
ZAR and POCK secede.
Zin opens the positive punk club CLUB WALPURGIS and starts his activities as a DJ and event organizer.
V. ZIN / G. REI / B. F'que Dann / D. Cezarre / F. ..
First album release memorial live held (twoman with G-SCHMITT).
Performed as the opening act of Alien Sex Fiend at Shinjuku Tsubaki no House.
MADAME EDWARDA disbands (according to the official website, but some sources and Zin's previous official biography mentioned December 1985)
One-night revival held (same lineup as ZEUS MACHINA).
MADAME EDWARDA reforms.
V. Zin / G. Kevin / B. D'indy / D. Scilly / K. Lamia Sebastian
Aoiheya
Guitarist Kevin secedes.
V. Zin / B. D'indy / D. Scilly / K. Lamia Sebastian / G. Yukino (Support)
V. Zin / B. D'indy / D. Scilly / K. Lamia Sebastian / G. Keishi Kawakami (Support)
Guitarist Snaky-Snaky joins.
V. Zin / G. Snaky-Snaky / B. D'indy / D. Scilly / K. Lamia Sebastian
Short tour Le Baroque Cirque TOUR Starts (3 lives).
Keyboardist Lamia secedes.
Shin-Okubo EARTHDOM
Yoyogi labo
Short tour Weird Tail Starts (3 lives).
Tour Weird Tail Final oneman held.
Oneman IGITUR Held.
Yoyogi labo
Oneman Tengoku to Jigoku no Kekkon ~Marriage of Heaven & Hell~ Held.
42nd Anniversary oneman ALLEGORIA Held.
40 + 3rd anniversary oneman ALICE+TELLS KNIGHTMARE ~アリストテレス・ナイトメア~ Held.
MADAME EDWARDA is an active non-vkei band. They have been active since 1981.
Few bands can claim the kind of legacy MADAME EDWARDA holds. Long before X JAPAN, BUCK∞TICK, D'ERLANGER, DEAD END, COLOR—or really any band that would later be labeled Visual Kei—there was this dark, uncompromising force led by the enigmatic Zin-François Angélique.
Madame Edwarda didn't just exist alongside those scenes—they helped shape the DNA of everything that followed: visual kei, J-rock, goth, punk, and beyond. Their fusion of goth and death rock helped ignite what would become known as “positive punk” in Japan, laying the groundwork for an entire subculture. Even the visual language—the dramatic styling, mood, and aesthetic sensibility you now see echoed in J-pop and K-pop—traces back in part to what bands like Madame Edwarda pioneered.
And then there's “Lorelei”—a track that stands as one of the most important and haunting songs not just in Japanese goth, but in rock music as a whole. Few songs carry that kind of weight or influence.
The fact that a band this essential remains a cult name—and isn't recognized by institutions like the Rock and Roll Hall of Fame—is honestly baffling. Madame Edwarda isn't just a band; they're ground zero for so much of what we still hold dear.